GRE verbal时间分配方法

　　GRE考试中，语文也是考试的重头戏，对于这部分的考试，时间的分配也是非常关键的。具体的都有哪些方法 ，能够辅助我们更合理的安排好考试呢?新东方在线GRE频道为大家整理了相关内容，供大家参考。

　　GRE语文各题型具体用时分配安排

　　1. 填空——单空题

　　每题建议用时：20秒-45秒

　　例题：

　　The actr’s perfrmance was s absurdly _____that Gwen felt a little ashamed t have t resrt t tissues in the final scene.

　　A. Prficient

　　B. Unfeasible

　　C. Seditius

　　D. Maudlin

　　E. accmmdating

　　说明：单空题是填空题中最简单基础的题型，通常题干也不会很长，考生读完题目往往只需要10秒左右，之后只要在5个选项中进行简单的词义辨析和选择即可，因此做得熟练的话往往在30秒左右就能做完。

　　2. 填空——等价题

　　每题建议用时：20秒-60秒

　　例题：

　　Althugh mst land snails are ______, the giant African snail is a ntable exceptin; it can be 15 inches lng and weigh 2 punds.

　　A gargantuan

　　B juvenile

　　C functinal

　　D diminutive

　　E respnsive

　　F minuscule

　　说明：等价题虽然在题型上类似单空题，但实际解题需要的思考步骤却比单空题要高不少，考生需要在6个选项中选出两个填入后能够让句子大意保持一致的等价选项，这对于考生的词汇量和辨析能力就有比较高的要求了，符合空格的词汇可能不止一个且分为几组，考生需要进行比较深入的分析才能够得出答案。当然，对于词汇掌握程度较高的考生来说，等价题也只是稍微复杂一点的单空题而已，因此虽然需要消耗的时间稍多，但一般也能在1分钟内解决。

　　3. 填空——双空题

　　每题建议用时：30秒-75秒

　　例题：

　　Fables ften endure due t their (i) _____________, ften telling ne simple narrative, based arund ne character. This is bth by design, because direct statements are mre easily remembered than flrid nes, and by accident: As fables are passed frm teller t teller, (ii) _____________ details fall away, leaving nly the essential stry.

　　Blank (i)

　　Bmbast

　　Objectivity

　　Simplicity

　　Blank (ii)

　　Superfluus

　　Requisite

　　Apcryphal

　　说明：想比上面两种题型，双空题在难度上显然有所增加，考生需要同时对两个空格进行判断，还需要考虑两个选项用词之间可能存在的语法、语义和逻辑上的关系，因此耗费的时间也大多超过45秒，大约在1分钟左右。

　　4. 填空——三空题

　　每题建议用时：45秒-2分钟

　　例题：

　　His new rle gives the nrmally clwnish actr a chance t impress audiences with his (i)___. He is amng the mst uninhibited cmic perfrmers arund, but here he buttns his lip and stares straight ahead. Perhaps withut quite knwing it, the audience waits fr a wink, a hint that sme f the (ii) ___ spirit that animated his previus mvies might be lurking inside the (iii) ___ manner he presents in this film.

　　Blank (i)

　　Raillery

　　Effusiveness

　　Frbearance

　　Blank (ii)

　　Madcap

　　Lugubrius

　　Edifying

　　Blank (iii)

　　Facetius

　　Reserved

　　Beguiling

　　说明：三空题可以算是填空题的终极题型，一般整场考试中并不会出现太多，一个SECTION最多也就2-3题。之所以三空题需要花费比较多的时间，一方面是因为题目本身难度较高，双空题需要考生考虑两个空之间的关系，三空题则需要把三空之间的关联都想清楚，思维难度大增;另一方面，三空题因为需要承载三个空格，本身在题目上就比较长，有些字数多的三空题甚至达到了短篇阅读的篇幅，本身读完题目也需要耗费不少时间。两分钟内做完在时间要求上还是比较严格的。

　　5. 阅读——短篇阅读

　　每题建议用时：45秒-1分45秒

　　例题：

　　The grilla has the misfrtune t be native t an area that has been ravaged by war. Rwanda and the Cng are war-tm natins, and the resulting damage t habitat has affected grillas as well as humans. Grilla ppulatins have als been ransacked by the Ebla virus, which has killed an estimated 90 percent f the grilla ppulatin in each area f western and central Africa where it has been fund.

　　The number ne threat t grillas, hwever, is human greed. Humans are burning dwn the frests where the last remaining grilla families live. They are ding this t harvest charcal, which is used t fuel cking fires thrughut the regin. In additin, they are paching the last remaining grillas fr meat and fr their hands r ther parts, which are cnsidered a delicacy in Africa and are used medicinally in parts f Asia.

　　说明：短篇阅读是GRE阅读中数量较多的题型，问题难度一般并不太高，文章篇幅也较短。考生只要具备一定的阅读速度和理解能力，在2分钟内读完并做完题目并不困难。当然，如果大家花费太多时间在阅读文章上，也有可能导致时间不够用，因此阅读速度需要做适当的练习。

　　6. 阅读——长篇阅读

　　每题建议用时：1分钟-3分钟

　　例题：

　　By far the mst ppular United States literature f its time was a bdy f nw-neglected nvels written between 1820 and 1870 by, fr, and abut wmen. Accrding t Nina Baym, wh has termed this genre “wman’s fictin,” the massive ppularity f these nvels claimed a place fr wmen in the writing prfessin. The nvels chrnicle the experiences f wmen wh, beset with hardships, find within themselves qualities f intelligence, will, resurcefulness, and curage sufficient t vercme their bstacles. Accrding t Baym, the genre began with Catharine Sedgwick’s New-England Tale (1822), manifested itself as the best-selling reading matter f the American public in the unprecedented sales f Susan Warner’s Wide, Wide Wrld (1850), and remained a dminant fictinal type until after 1870. The critical, as ppsed t ppular, receptin f these nvels in their wn time was mixed. Theretical ppsitin by thse wh saw fictin as a demralizing and crrupting influence was by n means dead in mid-nineteenth-century America, and ppular successes naturally bre a significant prprtin f the attack. The mralistic tne f much wman’s fictin did nt placate these antagnists; n the cntrary, many clerical ppnents f the nvel thught that wmen were trying t take ver the clergy’s functins and hence attacked all the mre fiercely. Similarly, sme male authrs, disgruntled by the emergence f great numbers f wmen writers, expressed cntempt fr the genre.

　　On the ther hand, the wmen had a pwerfully ally--their publishers, wh nt nly put these wrks int print but advertised them widely and enthusiastically. Sme few reviewers wrte abut these wrks with attentin and respect, distinguishing between the wrks f the different authrs and identifying individual strengths and weaknesses. These apprving cntemprary critics were particularly alert t each writer’s cntributin t the depictin f American scial life, especially t reginal differences in manners and character types. On the whle, hwever, even these laudatry critics shwed themselves uninterested in the stries that this fictin tld, r in their significance.

　　Baym acknwledges that these nvels are tell--with variatins--a single familiar tale, and crrectly ntes that this apparent lack f artistic innvatin has been partly respnsible fr their authrs’ exclusin frm the cann f classic American writers traditinally studied in university literature curses. Baym pints ut, hwever, that unlike such male cntempraries as Nathaniel Hawthrne, these wmen did nt cnceive f themselves as “artists,” but rather as prfessinal writers with wrk t d and a living t be made frm fulfilling an bligatin t their audience. This bligatin included bth entertainment and instructin, which are nt, says Baym, at dds with ne anther in these bks, nr is entertainment the sweet cating n a didactic pill. Rather, the lessn itself is an entertainment: the central character’s triumph ver adversity is prfundly pleasurable t thse readers wh identify with her.

　　说明：长篇阅读是整个GRE考试中篇幅最多但性价比却最低的题型，每个SECTION中只会出现一篇，一般建议留到最后再解决。这是因为一篇长篇阅读做下来大部分考生基本上就暂时进入油尽灯枯的状态了。对中国考生来说，想要在3分钟内完成一篇长篇阅读从读完文章到解答题目的整个过程其难度还是比较高的，所以大家在之前做其他题目时一定要尽量加快速度，给长篇阅读多争取一点时间，否则3分钟很难保证够用。

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